MICHAEL PATRICK FLECK
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INHERIT THE WIND
It was Michael Fleck, however, in the role of Henry Drummond who stole the show . . . a maginficent actor who caught the flavor of this role perfectly.
— The Theater Maven
ON GOLDEN POND
Together, Fleck and Lebeau are terrific and, in their distinctly understated but effective ways, offer a masters class in acting.
— Herb Paine, Broadway World
THE OUTGOING TIDE
The engine that makes this production hum is Fleck's charismatic performance as Gunner.
— Arizona Republic
THE OUTGOING TIDE
Michael Fleck is the wind that fills the story's sail. At each tack, Fleck masters the mood and temper of his character.
— Herb Paine, Broadway World
ROAD WARRIORS
Michael Fleck's second offering in the festival has an unusually different angle . . . A clever surprise twist will leave you wanting more from Fleck's incisive imagination.
— Herb Paine, Broadway World
THE WEIR
Michael Fleck relishes the details of the stories he tells and there is a vibrant and buoyant sense of life that he brings to the part of Jack.
— Phoenix Stages
TIDE POOLS
Fleck quite masterfully devises a reverential and lyrical tone poem, a paean to John Steinbeck, Ed Ricketts and the central California coast . . .
As Steinbeck noted in The Log from the Sea of Cortez, "It is advisable to look from the tide pool to the stars and then back to the tide pool."
Fleck follows that counsel. The reflections from TIDE POOLS linger long after Doc and Hazel have left the stage.
— Herb Paine, Broadway World
ONE NIGHT ONLY
In One Night Only by Michael Fleck, it's November 1864, and all three Booth brothers are performing Julius Caesar at the Winter Garden, an arts benefit for New York's Central Park.
John Wilkes Booth rages at the tyranny of Abraham Lincoln and decries the unwillingness of his brother, Edwin, the Prince of Players, to use his celebrity and stature to influence public opinion.
"You could teach, convert, lead . . . convince the loyal people of this country to pull down this ugly tyrant from his throne . . . this new Caesar who breaks our hearts on the altar of his precious Union."
Powerful words, powerhouse acting!”
— Herb Paine, Broadway World
Michael has been a theatre professional for 52 years, working in stage, film, television and radio.
For more than 40 years, he was a proud member of Actors Equity Association and SAG-AFTRA.